Presented as individual impressionist snapshots, ‘Pueblo’ offers an introduction not just to Berkley’s songcraft, but to the person behind the guitar. Universal themes coming from this exploration of trauma — healing and forgiveness — reveal that Berkley couldn’t write about his hometown without writing about himself and his relationships. Losing friends, lovers, feeling self-conscious, demanding but fearing a larger existence: that’s not just Pueblo. That’s life.
Here, Berkley revisits the good, the bad and the ugly, understanding that hindsight is 20/20 and concluding that, ultimately, some things never change. Interrogating the small spaces shared between what-ifs of the past and the realities of the present is where Berkley’s songwriting shines. With laid-back pop grooves driven by shaky electric guitar tones and chiming keyboards, this is sincere and relatable pop-rock with slight shades of Americana and classic 70’s AM rock.
Berkley is the nom-de-plume of Andrew Jones, a recording engineer whose production and songwriting adventures include recording with former Cher bassist and ASCAP award winner Bob Parr, a power pop collaboration with members of The Offspring, and the “gorgeous” (AV Club) synthesizer project Sound for Bombs.
As Berkley, Jones weaves together a wide range of influences, diving in with renewed vigor for writing and performing. In terms of his origins, after touring in his own punk and metal bands in his teens and early 20s, Andrew Jones took a chance on the Los Angeles songwriting scene, ultimately finding himself as part of a team of writers tasked with developing early ideas for Michael Jackson’s comeback album.
Following Jackson’s death, Jones re-evaluated his path in music and stopped writing and performing for three years while he taught university writing and literature. Jones’ muses returned in 2010 when he quit his teaching job to immerse himself in jazz guitar studies and rekindle his relationship with music and his primary instrument.
On September 1, the ‘Pueblo’ LP is available digitally, on CD and random-colored vinyl. The CD offers a lyric sheet, exclusive photos and art. The LP includes lyrics and credits on a full-size insert with work from Pueblo photographers and liner notes from International Latino Book Award-winning poet Juan J. Morales. The vinyl features vintage KDZA broadcasts and field recordings captured in Pueblo locales significant to Berkley’s life, making for a seamless listening experience track to track, side per side. This is how Pueblo is meant to be heard.
Music and lyrics by Andrew Jones a.k.a. Berkley
Berkley – vocals, guitar, bass, keyboards, drum machine, piano
Ramon Muzquiz – drums, percussion, Rototoms
Bob Cummins Jr. – piano
Jasper Johnson – bass guitar on ‘Pueblo Nights’
Emily Gould – drums on ‘Dark Energy’
Aryanna Gil – vocal on ‘Oldies’
Luke Schneider – pedal steel guitar on ‘Oldies’
Engineered, mixed, and mastered by Andrew Jones
Additional recording at Huge Planet, Nashville, TN by Jake Davis
Field recording in Pueblo by Andrew Jones and Josh Knobbs “Factor”
Album photography by Lauren Carey and Sean Beeman
Album layout and design by Dan Gremminger
Recorded at Echo Lab in Denton, Texas (1,2,3,4,6)
Recorded at The Nest in Denton, TX (7,10)
Recorded at Big Secret Studios in Portland, OR (5,8)
Recorded at Emily Gould Drumming Studio in Colorado Springs, CO (9)
ALBUM TRACK LIST:
1. Pueblo Nights
3. Your Place
5. California King Bed
6. High School Tears
7. Say Nothing
9. Dark Energy
10. Fiesta Day
Sept. 1 Pueblo, COo – Analogue Records
Sept. 2 Manitou Springs, CO – Lulu’s Upstairs (with Volon Vauban)
Sept. 3 Denver, CO – Skylark Lounge (with Volon Vauban & Nicki Walters)
Sept. 9 Portland, OR – Music Millennium