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New Orleans City Council moves forward with new outdoor music licensing

Porch concert in New Orleans, photo by Durado Brooks via Salon726.com

The New Orleans City Council voted unanimously to allow live outdoor music in perpetuity, a move that began in the early days of the pandemic when performing outside was safer for musicians and audiences. Live outdoor music, which has proven to be popular, has existed in a state of limbo since the COVID-19 crisis began to ease.

“We have been working for quite some time to figure out how to make this permanent,” said council member Helena Moreno. She explained that new guidelines will offer “predictability, not only for the venues and musicians, but for people living around those areas.”

The motion will form the basis of an ordinance proposal to be considered for a vote at a future City Council meeting. Opponents of outdoor performances have long complained that the city fails to enforce existing noise ordinances. Mayor Latoya Cantrell has promised to enlist more zoning inspectors to enforce such codes.

Under new rules, music venues under conditional licensing will be limited to three outdoor performances per seven-day period, and shows on Sundays through Thursdays must conclude by 9 p.m., on Fridays and Saturdays by 10 p.m.

The Music and Culture Coalition of New Orleans, which has advocated for outdoor performances, issued a statement following the council vote: “This is the culmination of an over three-year effort on our part, and we want to issue a profound thank you to everyone who participated in focus groups, attended meetings, sent in comments, and called or e-mailed their representatives. It truly made a difference.”


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How to buy and sell NFTs: The best places and prices

An NFT is a kind of crypto token that refers to a non-fungible token. A non-fungible asset is defined as an in-game item, musical composition, or piece of art that has its own unique value.

Non-fungible tokens have lately taken possession of the collectible and digital art industries. Buying and selling NFTs can be a bit daunting for newcomers, but with a little know-how, it can be quite easy. Non-fungible tokens (NFTs) are a form of blockchain network digital currency that is unique. The value of the item is determined by what someone is willing to pay for it. As a result, demand pushes up prices.

The auction of a nonfungible NFT art for $69 million Ethereum is the cause behind the recent rise in popularity of NFTs. NFTs are digital assets that are stored on a blockchain. The most popular form of an NFT is an ERC-721 token on the Ethereum blockchain.

The billionaire founder of Twitter, Jack Dorsey, has just created his first-ever tweet as an NFT and sold it for $2.9 million. There is no other NFT like this one; hence, it has uniqueness.

Also Read:

Where to begin

The metaverse has its version of a marketplace, where you can trade nonfungibles as we do with our eCommerce platforms in the real world. Several NFT marketplaces specialize in a particular area, such as artwork, tickets, music, and media. The metaverse is a world where you may discover, purchase, and sell NFTs that are perfect for both sellers and collectors.

What are NFTs? In a nutshell

Nonfungibles are “one-of-a-kind” cryptographic digital assets that represent real-world things and digital items such as art, music, virtual land, in-game collectibles, videos, photographs, and other creative items. They may be purchased and sold in the digital world like any other piece of property, with no physical representation. NFTs are one-of-a-kind, limited in quantity, and valuable due to their scarcity. They can’t be reproduced, and their verification is simple. NFTs may be viewed as proof of ownership for virtual or real assets recorded on the blockchain and proof of authenticity and certification of ownership for digital or physical items.

There are several potential applications for NFTs, including digital art, collectibles in gaming, music, fashion, sports, education, decentralized finance (DeFi), tokenization of real-world objects, domain name ownership, licenses and certifications,’ patents,’ documentation,’ and others. Furthermore, NFTs might be utilized to document data, improve event ticketing, and even real estate administration.

NFTs have the potential to change how creators sell their work online, and game developers are using play-to-earn economies in their settings. NFTs are also becoming popular among crypto organizations to reward loyal consumers and encourage certain behaviors.

With recent headlines dominating the crypto world, NFTs are rapidly becoming a famous use case in the broader cryptocurrency movement. Eye-popping sales figures from marketplace Opensea and celebrity endorsements like Jay Z have boosted their reputation.

NFTs enable artists and other content creators to profit from their work and sell it directly to the audience in the form of NFTs, with no limitations on intermediaries like galleries, auction houses, or major record labels.

Popular NFT marketplaces

There are numerous different online marketplaces where nonfungibles may be bought and sold. Not all of them work the same, offer the same features, or provide the same types of NFTs. However, most platforms are built on the Ethereum blockchain. Non-Ethereum NFT platforms include blockchains like Cosmos, Polkadot, and Binance Smart Chain, to name a few. Here are a few of the most popular:

1.OpenSea – There are numerous sorts of digital assets accessible on this platform, and the fact that it is free makes it even more appealing!

2. Axie Marketplace – This is a metaverse-based online store for video games. You may discover Axies, Land, and various other goods you can use in the game to make your own.

3. NBA Top Shot Marketplace -Users can buy, sell, and bid on digital highlights of NBA players, which is the same as keeping physical copies at home.

  1. Rarible -This site allows you to buy and sell a wide range of items, including art, movies, collectibles, and music.
  2. Nifty Gateway-This site has become well-known for its auctions of digital art from various world-renowned artists, such as Beeple.

7. Decentraland Marketplace-This is the online store for all things related to the digital world of Decentraland. You can buy, sell, or bid on the land and various other virtual assets.

8. The Sandbox Marketplace-This is the official store for all things related to The Sandbox game. Players can buy, sell, or bid on the land and various other virtual assets.

How to buy NFTs

Step 1: Get a wallet and fund it with cryptocurrency

To buy NFTs, you’ll need a digital wallet that can hold the specific cryptocurrency used on the platform you want to purchase. For example, if you want to buy an NFT on the Ethereum blockchain, you’ll need an Ethereum-compatible wallet. Some popular wallets include MetaMask, Gnosis Safe, and Argent.

Once you have a crypto wallet set up, you’ll need to add cryptocurrency to it. The most popular way to do this is by using a crypto exchange. Some popular exchanges include Coinbase, Binance, and Kraken.

If you don’t already have a wallet, visit metamask.io and download it as an add-on for your web browser. Connect it to OpenSea.To do so, go to OpenSea and select “My Profile.” nOpen a profile on OpenSea by going to the top right corner of the site and clicking on “profile.”After opening the page in your browser, you’ll be asked to log into your wallet. MetaMask, Coinbase Wallet, or other supported wallets are recommended choices.

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To use your wallet, it must be granted access to your account and approve the signature request.

You can now explore the OpenSea marketplace for NFT collections. If you don’t have ETH, go to your MetaMask wallet and select “Buy” — you may also use a debit or credit card to make a crypto deposit immediately.

Alternatively, if you’d rather, you can create a Coinbase Wallet – it’s another popular choice that users choose and has the brand recognition of Coinbase.

The procedure is similar to MetaMask installation – you must go to the official Coinbase website and add the non-custodial wallet as a Chrome extension. Although it doesn’t matter which wallet you use to interact with OpenSea, the Coinbase wallet has certain advantages, such as converting fiat currencies into cryptocurrencies.

Step 2: Find an NFT marketplace

Once you have a digital wallet set up and funded with cryptocurrency, you’ll need to find an NFT marketplace where you can make your purchase. There are various NFT marketplaces, each with its selection of NFTs available for purchase. For our case, Opensea is a good choice as it is among the most popular NFT marketplace, and there are no fees for buying or selling on the site.

Step 3: Choose the NFT you want to buy

Now that you’ve found an NFT marketplace, it’s time to choose the NFT you want to purchase. With so many different NFTs available, this can be a difficult task. To narrow down the selection, you can use the filters on the marketplace website to find NFTs that fit your specific interests.

For example, if you’re interested in purchasing an NFT related to the video game “Minecraft,” you can use the filtering options on OpenSea to find NFTs related to the game.

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Step 4: Make your purchase

Once you’ve found an NFT you want to purchase, it’s time to make your move. On the marketplace website where you’re making your purchase, locate the NFT you want to buy and click on it. This will take you to the listing page for the NFT, which will provide more information about the item.

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At the top of the listing page, you’ll see the current price of the NFT as well as the option to buy it. Click on the “Buy” button, and you’ll be taken to a page where you can review your purchase. Next, OpenSea will bring up your MetaMask wallet. You may alter the gas fees by clicking Edit, but note that lowering gas costs will significantly slow down transaction speed. The best time to buy using MetaMask is when the Ethereum network is less congested.

Check out the Etherscan Ethereum Gas Tracker to see current gas prices. You may also look up recommended gas prices on ETHgasstation.

After you’re ready to buy, confirm your order using the button beside it. Wait until your purchase is completed.

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Check that all the information is correct, then click on the “Confirm” button. This will initiate the purchase process, and once it’s complete, the NFT will be transferred to your digital wallet.

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That’s it! You’ve now purchased your first NFT.

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You can preview some of the details of your NFT.

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And remember, if you want to buy an NFT but don’t have any cryptocurrency, you can always use a debit or credit card to make a crypto deposit immediately.

The Process of Selling NFTs

Two primary approaches to selling NFTs: 1. Minting an NFT (for content producers) and 2. Trading an existing collectible.

Minting an NFT

You can create NFTs and sell them on an NFT marketplace if you create digital content. This is a good option if you want to retain complete control over your work and the pricing of your digital artwork.

The process of minting an NFT is similar to creating an NFT. First, you’ll need to create the digital content you want to sell. This can be anything from a blog post, a piece of art, or a video game character.

The first option is generally regarded as the goal of the nonfungible creation (or minting) process. Minting refers to a simple procedure that follows after which representing innovative items such as artworks, collectibles, songs, memes, and so on becomes part of the blockchain, tamper-proof and secure. The content transforms into an NFT and becomes “tokenized.”Since the law’s passage, these digital items have been tradable and traded as NFTs, with the ability to keep track of them after re-sale.

Content producers only need a Mac or a PC, a cryptocurrency wallet that supports NFTs with some amount of crypto in it, and an account on a blockchain-focused NFT marketplace to begin minting. It’s as simple as clicking a “Create” button and uploading your file on some marketplaces, whether it’s an image, GIF, 3D model, or other items. Each platform may produce NFTs on its manner, so double-check the procedure.

You may adjust the NFT’s attributes, provide special discounts on services, and add extra meanings to the NFT. You can also charge your NFT and any royalties you want to earn if a buyer decides to resell it. You can subsequently sell it after you’ve completed it.

The minting process is completed when the creators sign their NFTs and pay the gas fees. The transaction is then considered valid once completed, allowing content makers to view their newly created NFT in their profile on the selected NFT platform.

Furthermore, NFT markets may demand content makers to provide a royalty percentage when selling NFTs.They get a set fee whenever a new collector purchases an NFT through them. Because of the fundamentals of the nonfungible technology, royalties may potentially

create automatic lifetime passive income sources for the NFT creators.

The option to select a selling approach or even set a price for the NFT while minting it is available in most NFT marketplaces. As a result, freshly created NFTs are commonly presumed to be put up for sale as soon as they are released.

Selling the NFTs

Now that you know how to purchase NFT, it’s time to learn how to sell one. It’s straightforward to sell an NFT: follow the instructions below.

Click the Sell button in the upper right corner of your screen to begin. You’ll be taken to a new page where you must provide essential information.

Type – You decide whether to sell it for a set price or in an auction,

Price – Set the amount of your wish.Duration -Finally, determine when the sale will conclude.

 OpenSea charges a 2.5% commission on each transaction, although the listing is free.

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Now click on Complete Listing.

As you can see, the Modal appears as shown in the image below. What remains is to complete your transaction. This is also known as a gas fee transaction, which implies that your wallet is programmed to make money.

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Clicking on Confirm will take you to a new page. After your wallet is set up, it will ask you to sign in after a while. It’ll notify you that listing your NFT is necessary.

Now Click the Sign tab, and your NFT will be listed.

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Is it worth buying and selling NFTs?

The NFT craze is still relatively new, and it’s a great first glimpse at the potential that cryptocurrencies may have to improve the digital economy for more people. For creators, creating and selling digital assets might make sense. However, when it comes to investing in NFTs as a collectible, they are a speculative investment. The value of an item is uncertain and will fluctuate depending on the demand for the work itself. So it is advised you carry out your research if you’re looking to invest in NFTsFurthermore, keep in mind that there are a lot of scammers in this field, and costs can change rapidly.

It’s not uncommon to see people lose their money to fraudsters through phishing or rug pulls. Wash traders in the NFT space have also been known to fabricate phony trading volumes on specific groups to make them more appealing to investors.

What is the future of NFTs?

NFTs have a lot of potential, but their future is still uncertain. They might become a more mainstream way to purchase digital goods and services or be relegated to a niche market. It’s hard to say which direction they will go, but it’s clear that they have the potential to change the digital economy.

The most recent development in digital collectibles is that OutSad has launched a unique collection of NFTs designed to help metaverse explorers express their emotions. Recognizing the social cues limitations in virtual settings, OutSad consists of a collection of mood-altering characters that may accompany their owner across parallel universes.

Final Thoughts

Despite the volatility and underdeveloped nature of the overall cryptocurrency market, as well as the high level of uncertainty regarding nonfungible token valuations, NFTs’ resurgence continues to spread. It’s critical to understand your investment goals and verify that NFTs are suitable for your portfolio before you invest money.


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Major record labels reach last-minute settlement with US ISP Bright House in copyright lawsuit

A number of record labels, including Universal Music Group, Warner Music Group and Sony Music Entertainment have settled a copyright infringement lawsuit against US internet service provider Bright House Networks on the eve of a scheduled hearing in a Florida court.

In a brief court filing on Tuesday (August 2), Universal Music, on behalf of other Recording Industry Association of America (RIAA) members, said, “they have resolved” the case against Bright House, without disclosing the specifics of the settlement.

The filing came a day before the two parties were set to go to trial in the US District Court for the Middle District of Florida, Tampa division, following virtual hearings held on July 28 and July 29 via Zoom.

The settlement marks the end of a three-year litigation between Bright House and the record companies.

In 2019, the labels accused Bright House of allowing thousands of its subscribers to illegally download, copy, and distribute copyrighted music through BitTorrent and other online file-sharing services.

“Bright House has knowingly contributed to, and reaped substantial profits from, massive copyright infringement committed by thousands of its subscribers, causing great harm to plaintiffs, their recording artists and songwriters, and others whose livelihoods depend upon the lawful acquisition of music,” the recording companies said in their complaint dated March 22, 2019.

The plaintiffs included Universal Music, Capitol Records, Warner Music, Atlantic Records, P. Diddy-founded Bad Boy Records, Sony Music, EMI and several of their subsidiaries and affiliates.

“Bright House has knowingly contributed to, and reaped substantial profits from, massive copyright infringement committed by thousands of its subscribers, causing great harm to plaintiffs.”

RIAA MEMBERS (in a lawsuit from March 2019)

The lawsuit came about four years after Bright House was acquired by Charter Communications for $10.4 billion.

Bright House, which provides Internet and other digital media services, allegedly refused to take reasonable measures to stop customers from using its Internet to infringe on others’ copyrights including those owned by the plaintiffs.

“Rather than working with plaintiffs to curb this massive infringement, Bright House did nothing, choosing to prioritize its own profits over its legal obligations,” the complaint read. The record labels further stressed that the internet service provider failed to take actions against repeat infringers.

Over a year after the lawsuit was filed, Bright House filed a countersuit, accusing the plaintiffs of “false, deceptive, and misleading” claims and of violating the Digital Millennium Copyright Act (DMCA) by “knowingly sending materially inaccurate notices of alleged infringement.”

Three years after going back and forth with more arguments, the court dismissed the case on Tuesday following the settlement agreement, according to an order issued by US District Judge Mary Scriven.

Details of the settlement agreement, including financial terms, were not disclosed in any of the filings and neither of the two sides have issued official statements.

The lawsuit is just among the many copyright litigations filed by record companies in their attempt to crack down on piracy in the music industry.

Back in February, the RIAA was awarded $83 million in piracy damages from YouTube-rippers FLVTO.biz and 2conv.com after a federal court in Virginia ruled that the sites have indeed violated copyright laws by allowing users to rip music from YouTube, TorrentFreak reported.

It follows the RIAA’s successful bid to shut down YouTube-MP3.org (‘YouTube to MP3), another stream ripping site, in 2017.

Overseas, a court in Milan ordered CloudFlare, a US-based content delivery network firm, to block users’ access to three copyright-infringing BitTorrent sites.

The decision, handed down less than a month ago, was the result of a litigation taken by global recording industry body IFPI, which counts more than 8,000 members globally including Sony Music, Universal Music and Warner Music.

 Music Business Worldwide


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R. Kelly Has $27,828 in His Commissary Account. Feds Want It Seized.

  • R. Kelly hasn’t paid any of his court fees, but has $27,828.24 in his prison commissary. 
  • Prosecutors asked a judge to order the funds seized. 
  • Kelly is serving a 30 year sentence on sex trafficking and racketeering. 

R. Kelly has $27,828 in his prison commissary but hasn’t paid a cent toward his court fees and fines, according to federal court documents.

New York Federal federal prosecutors on Thursday asked a judge to order the Bureau of Prisons to seize the money from his inmate trust account and cut a check for that amount to the clerk of courts, according to court documents.

Kelly, whose real name is Robert Sylvester Kelly, is serving a 30-year prison sentence after being found guilty in September of racketeering and sex-trafficking charges that stemmed from a decadeslong practice of recruiting and grooming girls and young women for illegal sex.

A restitution hearing is scheduled for next month, at which time New York Federal Judge Ann Donnelly will decide how much Kelly will have to pay to the victims of his crimes.

Outside of restitution, Kelly owes over $140,000 in fees and fines. Donnelly issued a $100,000 fine based on the conviction plus a statutory $40,000 human trafficking penalty. 

Attorney Jennifer Bonjean, who represents the disgraced R&B star, argued that Kelly is “pretty close to indigent” as he didn’t have a regular source of income and some stations refuse to play his music. 

Prosecutors, though, alleged that Kelly had funneled millions of dollars from music royalties through a childhood friend right before his sex-trafficking conviction. 

Kelly is serving his sentence at Metropolitan Detention Center in Brooklyn where he has befriended the accused subway shooter Frank James and is reportedly singing behind bars.

Kelly is set to stand trial on additional federal charges of production of child pornography and sexual abuse of minors on August 15 in Chicago. He has pleaded not guilty to the charges.

The trial comes 14 years after he was previously acquitted of 14 child pornography charges in Illinois in 2008. 


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ONErpm Launches ONE Publishing – Billboard

In a course of three years, ONErpm has developed the technology to register, identify and manage compositions in compliance with international standards, launching its new division, ONE Publishing, Billboard can announce today (Aug. 5).

Allowing composers and publishers to manage their catalogs and collect publishing royalties in an easy and transparent way, ONE Publishing has partnered with Collective Management Organisation (CMO) and streaming platforms including BMI, ASCAP, SESAC, HFA, MLC, MusicReports; as well as with regional partners in Brazil (UBC), Mexico (SACM), Colombia (SAYCO), Latin America (LatinAuthor), and Europe (Unison).

Additionally, signing direct contracts with YouTube, Spotify, Apple, Deezer, Lyricfind, and MusixMatch.

“I am honored to develop this new publishing initiative,” said Diego Maldonado, head of ONE Publishing, in a statement. “We truly believe in creating better solutions for musicians and with this powerful product we are raising the bar and closing an important gap for songwriters and artists around the world.”

Maldonado, who was formerly country manager in Colombia for seven years and led the company to grow to a market share of over 10%, will continue reporting to ONErpm’s founder and CEO, Emmanuel Zunz, in his new role

Of the new initiative, Zunz added: “The launch of ONE Publishing marks a milestone for our company as we solidify our position as a leading independent and truly global music company. The service is in line with our mission to be a full-service, modern music company that works tirelessly to create more value for creators.”

ONE Publishing will be available across all of ONErpm’s territories in 33 cities and 29 countries, as well as ONErpm premium distributed artists and labels, and DIY accounts that meet certain criteria.




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Scarface Explains Why He’s ‘Disgusted’ With The Music Industry




Scarface Explains Why He’s ‘Disgusted’ With The Music Industry | HipHopDX


























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‘Four Kings and a Queen’ take over NPAT

Five of the country’s legendary performers are joining forces for a night of music and nostalgia in “Four Kings and a Queen” this August 26 and 27 at the Newport Performing Arts Theater.

“Ballad King” Nonoy Zuñiga, “King of Hearts aka Kilabot ng Kolehiyala” Hajji Alejandro, “Hitmaker King” Rey Valera and “King Crooner aka Crush ng Bayan” Marco Sison will be joined by the Concert Queen Pops Frenandez as their special guest, all performing live onstage for a winning live entertainment phenomenon.

These OPM royalties continued to prove timelessness on their recent sold-out concerts in the US. Now the show will finally be brought to the Philippines with a two-night performance to enthrall local audiences.

Under the musical direction of Gerry Matias, the Four Kings and a Queen concert will carry a repertoire of OPM classics from the quartet of certified Hitmakers, plus a good dose of captivating performances from the undisputed Concert Queen Pops Fernandez with her renditions of top favorites and modern pop hits.

Newport World Resorts and Full House Theater Company in partnership with DSL Events and Production together with Dreamwings Production will be presenting this live entertainment affair. Tickets are available at TicketWorld and SM Tickets.

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IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

One of IVE’s “I’VE SUMMER” comeback teaser photos garnered attention as it reminded people of a disbanded K-pop girl group. Curious? Continue reading to know what made them think of the previous artist.

IVE’s “I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

Since early this month, IVE has been releasing teaser pictures and clips for their second comeback with another single album titled “After Like.” The album is a follow-up to their smash hit “LOVE DIVE,” released in March.

IVE SUMMER

(Photo : Facebook: IVE)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

On Aug. 4, the “I’VE SUMMER” comeback teaser photos featuring the entire group were revealed after a series of individual pictures of the members.

ALSO READ: IVE Wonyoung Being a Chinese Descent Becomes Hot Topic Again- Here’s Why

In the three images, the six IVE members are seen wearing all-white outfits and giving different poses to the camera while on a cargo bed and the green grass.

IVE SUMMER

(Photo : Facebook: IVE)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

In particular, one of the images shows the new girl group lying prone on a white sheet spread on the green grass. This certain photo was shared on the online community Nate Pann by a netizen who asserted it reminded them of a disbanded K-pop girl group.

Titled “Seeing IVE Reminded me of GFRIEND,” the post talks about how one of IVE’s “I’VE SUMMER” comeback photo made the netizen remember GFRIEND, who unfortunately ended their group activities in May of last year.

IVE SUMMER

(Photo : Facebook: IVE)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

READ MORE: IVE Liz Garners Attention for Weight Gain

The Nate Pann user wrote, “It gives me the GFRIEND vibes. It reminds me of ‘Me Gustas Tu’s album cover, so I like it.”

The album cover the netizen was referring to is the picture below. It is for GFRIEND’s second extended play, “Flower Bud,” which features the title track “Me Gustas Tu.”

GFRIEND Flower Bud

(Photo : Twitter: @GFRDofficial)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

In the image, the GFRIEND members can be seen lying on their bellies on a colorful sheet and showing bright smiles. Other notable things are the colorful sheet being spread on the green grass as well, and GFRIEND consisted of six members like IVE.

YOU MIGHT ALSO LIKE: Ahn Yujin Confesses She Didn’t Enjoy IVE’s First Music Show Win – Here’s Why

GFRIEND Flower Bud

(Photo : Twitter: @GFRDofficial)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

Under the Nate Pann post, some netizens commented that the IVE’s “IVE SUMMER” comeback teaser looks the same as GFRIEND’s “Flower Bud” album cover. Below are a few of the comments:

“It looks the same. They must’ve looked at GFRIEND and plagiarized them.

“Oh, what the? It’s the same.”

“IVE’s teaser does give off a GFRIEND vibe.”

“It gives me nostalgic feelings.”

“I’m a Buddy, and I like it since they remind me of GFRIEND’s debut days.”

However, the Nate Pann post has since been deleted.

Do you agree that IVE’s “I’VE SUMMER” comeback teaser photo exudes a GFRIEND vibe during their “Me Gustas Tu” era? Let us know what you think in the comment box below!

IVE’s “LOVE DIVE” Enters All Circle Charts

In other news, IVE’s “LOVE DIVE” consistently demonstrates its popularity in South Korea as it secures another spot on different Circle charts.

IVE LOVE DIVE

(Photo : Twitter: @IVEstarship)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

For the week of July 24 to 30, “LOVE DIVE” ranked No. 23 on the Circle Album Chart with 6,082 copies sold and claimed No. 22 on the Retail Album Chart with 4,078 copies sold.

Moreover, the album’s title song (also called “LOVE DIVE”) held onto its position at No. 2 on the Global K-pop Chart and stayed strong at No. 3 on both the Digital Chart (with over 24 million digital points) and the Streaming Chart.

IVE LOVE DIVE

(Photo : Twitter: @IVEstarship)
IVE’s ‘I’VE SUMMER” Comeback Teaser Reminds People of THIS Disbanded Girl Group

On the Download Chart, “LOVE DIVE” maintained its position at No. 24, while the track reached a new peak on both the BGM Chart and the Bell Chart at No. 55 and No 18, respectively. On the contrary, it dropped to No. 11 on the Singing Room Chart and climbed down to No. 88 on the Ring Chart.

Finally, IVE climbed to No. 13 on the latest Social Chart.

For more K-Pop news and updates, keep your tabs open here at KpopStarz.

KpopStarz owns this article

Written by Maria Scott




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‘A publicly accessible platform on which anyone can make undeletable, tamper-proof assertions about their ownership of or contribution to music sounds like the foundations of anarchy’

The following MBW op/ed comes from Mark Douglas, Chief Information Officer at PPL, the UK’s music licensing company for over 130,000 performers and recording rightsholders. He argues that, behind the buzz, blockchain is a technology that doesn’t address, let alone solve, the industry’s main data issue…


As a solution to all ills in the music industry, blockchain first raised its head back in 2016.

There wasn’t a week that went by without another seminar, blog post or industry journal heralding this new transformative technology and how it was going to reinvent the music ecosystem.

By 2019 this fervour was starting to ebb, and all went quiet for a few years. Many of the start-ups that were going to lead this transformation shut up shop and moved on to something new. The rest of us got on with our day jobs.

Then, in 2021, NFTs broke through into the mainstream and re-awoke the blockchain fan base. The noise levels around how blockchains are going to transform our industry are now rapidly rising to their 2017 levels.

Even the Worldwide International Property Organisation (WIPO) have joined in, releasing a white paper titled ‘Blockchain Technologies and IP Ecosystems’, which sets out the many and varied ways in which blockchains will solve a broad range of problems in the Intellectual Property domain.

Depressingly, the 189 pages read like an advertorial for blockchains. Perhaps that should come as no surprise. WIPO set out in their introduction that the contents of the paper have been created through desk-based research, a survey of companies playing a role in the blockchain industry, and interviews with ‘relevant’ actors in the IP and blockchain industries.

As with many commentators on blockchains, the whole premise of the white paper seems to me to be back to front. The questions it seeks to answer are framed in terms of: I have a blockchain, what can I do with it? The proverbial hammer looking for a nail to hit.

In all my years of designing and delivering technology systems, I have found the best approach to be to first get to the bottom of what the problems are, and then design the solution to best address those problems. Picking a solution first and then seeing how it can be manipulated to try and address the problem usually leads to failed projects.

It is at this juncture that it is worth understanding the mechanics of a blockchain. By examining how they function, we can better understand what benefits they may provide, and then determine their relevance to solving the data challenges we have in the music industry.

Imagine I want to create a public database of all sound recordings, the party that owned the original copyright in each of those recordings, along with the recordings’ release date. Let’s take Welcome To Hell by Black Midi as a recently released example.

The original copyright in that recording is owned by Black Midi, and it was released on 9 May 2022. Following database best practices this data should be expressed using appropriate identifiers. For the recording, that would be its ISRC (International Standard Recording Code), and for the copyright owner, let’s use their ISNI (International Standard Name Identifier). For my Welcome To Hell example, that gives us an ISRC of GBCVZ2200020, an ISNI for Black Midi of 0000 0004 7629 4420, and a release date of 09052022.

I now have the data that I want to store on my public database. If I choose to use a blockchain for this, I now must create what is called a hash. It is the hash that makes the data tamper-proof. A hash is no more than a mathematical function that takes any string of characters as its input and then generates a fixed-length character string as an output.

Hashing is used in many situations. The last digit of your credit or debit card number is a hash, calculated by putting the first 15 digits through a hashing function. In many blockchains, the hashing function used is SHA-256. This function can take any number of characters as its input and will always generate a 64-character value as its output.

The combination of the data I am trying to store, along with this hash, forms the ‘block’ bit of a blockchain. The hash is critical to blockchains as it makes the contents of the data tamper-proof. If you change just one character in the data, a very different hash value gets generated.

These ‘blocks’ are then made into ‘chains’ by linking this new block to the previously written block. This is achieved by including the hash value from the previous block into the new data that is being hashed. In this way, any attempt to alter the content of a block or to alter the sequence of blocks is immediately discoverable by recomputing and verifying the hash. This is the cryptographic bit of blockchains that renders them tamper-proof.

“Our problem has never been not having a tamper-proof place to store that data, it has been one of data management.”

So, you might rightly be asking yourself, how is any of this distributed, tamper-proof data storage technology in the least bit relevant to solving the data challenges in the music industry.

A big part of the answer to this lies in the fact that blockchain is just a specific name for the more general concept of Distributed Ledger Technology. The accountants amongst you will know that Ledgers are ordinarily used to record accounting information and comprise both debits and credits, two sides of the same coin that all net out in a balance sheet.

And indeed, in a business situation where you can get both sides of a transaction to agree to its nature and value (borrower and lender, punter and bookmaker, buyer and seller), then the data they agree on can indeed be written to a blockchain, and the tamper-proof nature of this indeed makes it a trustworthy record of what happened.

Importantly for many in the blockchain movement, it is this very removal of the need for a middleman that underpins their passion.

But this key attribute of blockchains doesn’t address the challenges we face in music data. Our problem is that the necessary data is not being captured in the first place. Our problem has never been not having a tamper-proof place to store that data, it has been one of data management. For several decades, we have been able to store data in relatively inexpensive technology that prevents amendment without an audit trail and that makes the data available 24/7, anywhere in the world.

Some will argue that a publicly open, distributed database is the very thing we need to allow the data to be captured at the right point in time. This totally misses the point on a couple of levels. Firstly, it is a fundamental shift in behaviours we need. We need artists, and those around them, to understand the importance of data management and to then follow good processes to make sure that it is captured and passed on.

“the cryptographic bit of blockchain doesn’t tell you anything about the veracity of the data; it just tells you it hasn’t been messed with since it was added.”

It is tools like Session, SoundCredit, VEVASound and Creative Passport that enable this. It is integration with studio tools that enable this. It is data standards such as the DDEX RIN that allow this. It is services such as RDx that enable this. Blockchains are, at best, a distraction.

Secondly, the absence of a counterparty to verify the data that is being added to a blockchain is a problem. So much so that the primary strength of a blockchain becomes its massive Achilles’ heel. You may have noticed that the cryptographic bit of blockchain doesn’t tell you anything about the veracity of the data; it just tells you it hasn’t been messed with since it was added.

With that in mind, a publicly accessible platform on which anyone can make undeletable, tamper-proof assertions about their ownership of music or their contribution to a composition or recording starts to sound like the foundations of anarchy.

The typical response to this is that it wouldn’t be a public blockchain, it would be a ‘permissioned’ blockchain. That’s fancy talk for there being a middleman that controls the blockchain, and who determines who can and cannot add things – a bit like the Collective Management Organisations we have today! The CMOs that request evidence to be provided before they amend data that will cause money to flow. The CMOs that are fundamentally data management organisations, cleansing and augmenting the data from the past seven decades of popular music, and verifying and resolving the new data that is delivered to them.

You see, when someone advocates for permissioned blockchains, they aren’t really advocating for a public, non-centralised solution for the greater good. They’re advocating that you shift to a very inefficient technology platform that they control, and that will generate a return for their backers. So when I read articles claiming that Elon Musk is heading our way with a blockchain to solve all of our data problems I grab a very large pinch of salt and start asking myself hard questions about the motives behind such an assertion.Music Business Worldwide


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